“I totally loved working with Elle! I've done a couple of advertorials for them and the experience was great. The art director I worked with was fantastic and was able to take all of my rough sketches and create a layout with them, so the final color art was easy to produce.” Quoted by inspirational fashion illustrator Jennifer Lilya, when asked about her working experience with Elle Magazine.
Jennifer has created an inspiring and imaginative domain for herself, with her edgy, sharp and irreplaceable ways of creating masterpieces without any use of technology. Just independent use of colors, texture and shades.
“Happy, fun and fabulous!” Sums Jennifer up in 3 words, located in Brooklyn, New York, Jennifer has brought such creativity and passion to the fashion illustration world, showing techniques to create and get to where you want to be in life with hard work and drive.
Continuing her road to success, Jennifer continues to promote and share her unique designs, doing all her work in acrylic paint and blank ink, her own unique touch and texture has brought such an outstanding praise and success.
(Fashion Institute of Technology)Having done fashion illustration since the early 90s after graduating from FIT . Her love for sketching has managed to land her in phenomal life changing opportunities having worked with magazines, ad agencies, fashion designers and PR firms. From clients such as ELLE, WWD, Dolce and Gabbana/Swide, Edelman, Stila Cosmetics, Katy Perry, Timex, Travel + Leisure, California Closets, and many, many more.
I was privileged enough to get an interview with Jennifer herself, telling us the ins and outs of working in the fashion world to contacts, talent and inspiration to her success. I will let Jennifer tell you her journey to triumph.
Do you have a fashion inspirations who you follow/look up to? I'm drawn to vintage illustration- Antonio Lopez, Rene Gruau, Joseph Eula, classic pop art like Warhol (who started out as a fashion illustrator-his little shoe illustrations are magnificent!), Keith Haring and Jean Michel Basquiat (such amazing color and texture!). I love seeing paint on paper, so contemporary digital art doesn't catch my eye. In terms of current illustrators, I enjoy David Downtown and Bil Donovan's work.
You have worked with huge companies, Venues and people. How was it you got into the industry? (I.E connections?) I attended FIT from '89-'93 and I've been working hard ever since. I had no connections in the industry- I just promoted the heck out of my art throughout the years. But I've discovered that clients hire me because I still do everything by hand in paint and ink. They love the personality and uniqueness it imparts in such a digital age. Basically I've become successful because I'm stubborn and refused to work on a computer :)
Any words of advice for people wanting to follow your tracks? (What they should do etc.?) Practice! Take life drawing and fashion illustration classes, keep a sketchbook with you to doodle in and jot down ideas. If you have a day-job, you can choose to relax after work, or you can choose to practice your drawing and painting. It's all up to you to do what you love in this life.
You worked with Katy Perry! How was that? What was it you did for her? She was rehearsing in LA while I was painting in NYC. I worked with her stylist, Johnny Wujek, on her performance outfit for the 2010 American Music Awards and another performance outfit for the Grammy nominations outdoor winter performance. Johnny had some concepts in mind, and I took some of his ideas and created 5 or 6 different rough sketch designs for each look. We mixed and matched elements of each sketch to come up with the final designs to send to the team of seamstresses. It was wild seeing my artwork come to life on television! The winter outfit was a bit of a challenge since we had to make sure she was glam, yet warm enough to perform. I solved that problem by creating a cape to wear right before the performance and silvery snowflake gloves that kept her hands warm. Sometimes designs need to be practical as well as ultra glamorous!
Have you anymore-big projects coming up? Yes, I've got DVDS coming out this month- how to paint fashion illustrations & how to paint fashion faces! I filmed them back in January, I just got a stack of them a few days ago. I'll be doing a lot of promotional giveaways around them, I appreciate all the online fans who follow my work, so it's fun to be able to give them something back. I've spent the winter writing and illustrating a step-by-step fashion illustration book, which will be out on F+W Media in November. It will be available in all major bookstores, art stores & online. I'll post pre-ordering info as soon as I get it! SO excited about that one.
Your illustrations are amazing! You also studied at FIT, (Fashion Institute of Technology) Where did you learn how to design like that? I studied fashion illustration at FIT, but I've been drawing ever since I was a little kid. It's just something that's in me and I thank my lucky stars each day that I get to design and paint pretty things for a living!
Was the acceptance programme hard for FIT? What did you have to prepare? It was so long ago- I only had to have a good art portfolio, good grades and write an essay. I believe it's quite different now, I took one of my interns to the FIT tour and it seems much more intense than it was when I was there. Lots of digital requirements, which would completely change my mind on attending now. :) I applied only to FIT and Parsons, and was accepted by both at the time. I chose FIT (Fashion Institute of Technology) for their intense drawing and studio painting classes and more of a focus on industry vs. fine art. I loved it & love how much better it made me as an artist.
What about industry and work you do what is the best thing about it? The best thing is that I literally get to paint pretty things all day long! I get to make my own hours- as crazy as they are at times; it's a zillion times better than a 9-5 job. I get to source inspiration, work with all sorts of different people and each job is completely different. I love my clients and appreciate people who love traditional, yet modern, fashion illustration!
What about the hardest? Making my own hours! :) I have to balance and schedule everything the best I can. I try to stagger jobs by a few days or weeks, but inevitably sometimes they get delayed on either my end or the client end. This means sometimes I'll have a bunch of projects due around the same time, so I'll work around the clock. Luckily I have a great studio in my Brooklyn apartment, so I can just make pots of tea to stay up painting all night! I also have to deal with all the paperwork, contracts, negotiating with clients and promotion. It's a whole bunch of jobs rolled into one. I never really stop working since I'm always getting inspired to paint something or thinking about having to update my social media on a weekend. But there are no complaints really other than wanting a tad bit more sleep. But whatever with that- I wouldn't trade this for the world!
Have you any plans of coming over to the UK at all to do projects or work? Not at the moment, but that could change by getting a fun client call! I'm always up for travelling and working at different venues.
As for illustrators and designers who are you favorites and why? I mentioned some of them above, but I'd like to add Eric Erickson to the list of traditional artists, as well as Rene Bouche, Tony Viramontes, Egon Schiele and Alphonse Mucha. As for designers, I've always loved the NYC and music-centric Anna Sui, Chris Benz, Stacey Bendet of Alice + Olivia is just amazing, Balmain, Lanvin, Cynthia Rowley & Gaultier.
There you have it from Jennifer herself, want to know more or get in contact? Check out her pages, with projects, art, designs and unique use of crafts.
Be sure to keep your eyes peeled for her latest video on “How to paint fashion illustrations & how to paint fashion faces”
That will most defiantly be on my wish list!